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This one is pretty straightforward. In order to reduce glare you must reduce light. The terms "light" and "glare" are interchangeable in our industry. To reduce half of the glare it follows that you need to reduce approximately half the light. The darker the film, the more glare is reduced. In real terms, a film that reduces 50% of the light will not solve a glare problem, but will certainly take the "edge" off of a bright glaring window. If you have a problem with
seeing a computer screen or TV, that requires a fairly dark film - one
that cuts at least 80% of the glare - to address that problem.
Solving this severe a problem will most likely result in a reduction in
room lighting and the view out. We always try to find the happy
medium.
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